Episode's summary
We’re heading back to the late 1990s and early 2000s, when shows like Flatmates, Treasure Island, and The $20 Challenge first hit Kiwi screens. It was the wild west of local television, where ambitious producers and crew were basically inventing the rules as they went along, driven in part by the sudden arrival of lightweight digital video cameras and computer-based video editing. Cameraman Craig Wright talks about being both on-screen and behind the camera for Flatmates, while producer Amanda Evans reveals new camera tech made her format The $20 Challenge possible, showing how a wave of new technology supercharged an emerging local industry. Go to this episode on rnz.co.nz for more details
We’re heading back to the late 1990s and early 2000s, when shows like Flatmates, Treasure Island, and The $20 Challenge first hit Kiwi screens. It was the wild west of local television, where ambitious producers and crew were basically inventing the rules as they went along, driven in part by the sudden arrival of lightweight digital video cameras and computer-based video editing. Cameraman Craig Wright talks about being both on-screen and behind the camera for Flatmates, while producer Amanda Evans reveals new camera tech made her format The $20 Challenge possible, showing how a wave of new technology supercharged an emerging local industry. Go to this episode on rnz.co.nz for more details
Episodes
The Trailblazers & The Tech
ListenedWe’re heading back to the late 1990s and early 2000s, when shows like Flatmates, Treasure Island, and The $20 Challenge first hit Kiwi screens. It was the wild west of local television, where ambitious producers and crew were basically inventing the rules as they went along, driven in part by the sudden arrival of lightweight digital video cameras and computer-based video editing. Cameraman Craig Wright talks about being both on-screen and behind the camera for Flatmates, while producer Amanda Evans reveals new camera tech made her format The $20 Challenge possible, showing how a wave of new technology supercharged an emerging local industry. Go to this episode on rnz.co.nz for more details
Scandals & Boundaries
ListenedIt’s time to take a hard look at what happens when the relentless drive for high ratings pushes reality TV over the line. From the notorious live-broadcast bullying on The X Factor NZ to catastrophic pyrotechnic mishap on Going Straight, we explore the infamous moments when production decisions have crashed into ethical, physical, and psychological safety boundaries. Producer Bailey Mackey talks about his controversial creation, The GC, and how the series came to be. Go to this episode on rnz.co.nz for more details
Mediawatch: Running the rule over reality TV
ListenedMediawatch host Colin Peacock chats with Dylan Reeve and Phil Vine, host and producer of the new RNZ podcast series The Reality Machine. Go to this episode on rnz.co.nz for more details
Why We Watch & Why We Play
ListenedWe’re unpacking why so many Kiwis love, and sometimes love to hate, unscripted TV. We look at the disconnection in calling the genre "junk food television" while also tuning in by the hundreds of thousands. And looking at how these series do far more than just generate ad revenue; they actively shape our cultural conversations, push representation forward, and mirror who we are as a nation. Comedian Chris Parker tells us how winning Celebrity Treasure Island transformed his career, while writer Alex Casey muses about the ways that reality taps straight into New Zealand's collective psyche. Go to this episode on rnz.co.nz for more details
What Even Is Reality?
ListenedDylan Reeve dives into the fuzzy origins of reality TV in Aotearoa to try and figure out what we even mean when we say ‘Reality’. He looks at our local shows, ranging from fly-on-the-wall docuseries like Motorway Patrol into heavily constructed social strategy games like Treasure Island and The Traitors, exploring how a format with almost no fixed rules managed to grow into one of our biggest pop-cultural touchstones. Greenstone’s Rachel Antony and The Spinoff founder Duncan Grieve help us unpack where documentary ends and unscripted entertainment begins, framing the broader story of how local broadcasters developed a taste for turning everyday life into primetime drama. Go to this episode on rnz.co.nz for more details